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This House In Amber

by Roy Weard

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  • Compact Disc (CD) + Digital Album

    Comes in a a gatefold cardboard sleeve with an eight page lyric book and artwork by Roy Weard and photographs by Jill McMahon and Lesley Madigen / Ken Anstead

    Includes unlimited streaming of This House In Amber via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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    Purchasable with gift card

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £2 GBP  or more

     

  • The Way To(o) Weard - By Roy Weard

    This is Roy's autobiography. 476 pages with many pictures, mostly taken by him, on tour or by fans of his various bands. He toured with Manfred Mann, Steve Harley and Cockney Rebel, Eric Burdon, Donovan, Roger Chapman and many more. Backstage stories - a life on the road.

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1.
In Amber 07:08
In Amber This phrase, unwritten These words, unsaid These nails, so bitten down These teeth so ground – something in my head These eyes unseeing That sound unheard That thought I’m fleeing from Impaled upon –or is that the right verb? This wait, impatient This pause so cruel Silence so latent, but Somehow it’s not – essence is all This letter’s loaded This hand in glove Fingers all poking through Reaching out, reaching out for love This screaming silence In soundproof howl That passive violence cuts My own heart in two – feels like that now Locked out of action I’m lost in time Entombed in traction like Insect in amber, stuck fast and supine.
2.
Life’s All Surprise. It took his words, From in his head And in their place, Left holes instead There’s no route left, From head to mouth No escape plan He’s heading south Disjoint, disrupt That path unkempt No interrupts That time is spent The journey’s end That final goal He can’t describe It ate him whole And standing in the wings of life’s statutory stage He is still waiting for a prompt Hallucinating prisoner in his fleshy cage But the audience’s long gone Fragments passing through, scenes he just can’t grasp He’s still groping for the sense People, places and events, moments all long past Is this a wall? Is it offence? That word he couldn’t find in his lexicon? What was the meaning of it all? Somewhere, somehow, he crossed that Rubicon And then he just started to fall. We are all ships On rolling seas The message trips On waves like these It took the light From his old eyes No memory to blight Life’s all surprise.
3.
Drugged 04:22
Drugged Oh so chemically challenged And hormonally spiked She’s been running on substance For most of her life On the rails of prescription Channeled straight down the tracks Chromatographically coloured Tattooed and abstract Ritalin Rigor Mortis A stiff sentence indeed Vallium induced vortex Spiraling deep into need There’s methadone in her madness Heroine for the night Gone down, that was, in sadness Austere ragged and slight Ecstasy for embracing And with the speed of light That dragon you’re chasing Gives you fire – not insight Keratin induced coma So unmoving and pale Now the climax is over It was once off the scale Pharmaceutical science Beat a path through her brain Acid ate at the synapse Now she can’t be the same Oh so chemically challenged No emotion unchurned Fire of all that experience Left her empty and burned.
4.
The Long Wave (goodbye) The sound of static, white noised in the background These random sine waves twist my words Am I speaking clearly? Or is there no sound? Am I getting through? Am I being heard? In the long wave In the long, long wave In the long wave Long wave goodbye Russians are jamming the frequencies on the border Transmission’s tuned to stem the flow Antennae twitching, in case we miss a vital order Faces silhouetted in the last valve’s glow In the long wave In the long, long wave In the long wave Long wave goodbye Radio silence, in the stark cold still of midnight You were always tuning in to that dead air ‘Hilversum Calling’, the sound out of a past life Now lost in cobwebs no-one cares In the long wave In the long, long wave In the long wave Long wave goodbye No transmission coming through Wait to hear a word from you Just ghost voices in the sky Phased reception going by Waiting to hear a word x 4 Hit the Squelch and tune me in Call sign fading growing thin Sunspot activity is high Phased transmissions make me cry Waiting to hear a word x 4 The sound of static fades into mute ambiance Digital encoding, fresh and crystal clear Eyes are drooping, slipping into somnambulance It’s five past midnight – I’m out of here. In the long wave In the long, long wave In the long wave Long wave goodbye
5.
The Lights Go out And so the action makes the day You crash on through to night Light squandered on another play Life cheapened, made so slight And, breathing in, and breathing out We circulate the air about All that pose and pantomime Is another stupid waste of time One decision plots a path Your map, redrawn again A signature, an autograph Patina on your brain Sometimes we look but fail to see Put all our trust in destiny As if a book, chapter and verse Instructions for you universe When we all go And fade away Nothing to know And less to say The spirit fades The eyes just glaze The Lights Go Out And so reaction fades away We settle into sleep Pull up the covers, softly say ‘Goodnight’, sink to the deep And we breathe out and don’t breathe in Close fast the eyes and slack the chin Count virtues, vices, history In life’s eternal obituary When we all go And fade away Nothing to know And less to say The spirit fades The eyes just glaze The lights go out
6.
Losing Your Grip Losing touch Your fingers slip On the edge of the ledge Or from the people you see Losing grip The muscles relax Something falls from your hand To a place, hard to be Losing your touch, Former skills now unsure Not the swift stoke of masters Or the artist’s shrewd eye Loosening your grip, On the things that you know On that sea of emotion Fed by the rivers you’ve cried On an ocean of experience, relationships are riding at full sail On a course, under fair weather, you could never quite believe that they might fail But the winds are ever changeable the forecasts just projection or surmise What looked rosy in the sunset could turn so grey and ugly on sunrise And it’s never easy To hold to a course When the midshipman’s queasy And the winds grow in force Losing touch Now far away From the home and the homeland From the people you knew And the power of your grip And those sinews so sure Are now only a memory One you once thought was true Losing your grip It is gauzy, unclear Sight is so ineffectual Not a sense you can trust Loosening your grip On the way of the world Once it was made of metal Now that metal is rust Losing touch The fingers grow numb The longing soon fades away But the echo remains In the thrall of the grip You can’t quite grasp the past There are shadows before you That no memory explains. On an ocean of experience, relationships are riding at full sail On a course, under fair weather, you could never quite believe that they might fail But the winds are ever changeable the forecasts just projection or surmise What looked rosy in the sunset could turn so grey and ugly on sunrise And it’s never easy To hold to a course When the midshipman’s queasy And the winds grow in force To hold to a course When the midshipman’s queasy And the winds grow in force
7.
This House (rests) (Weard) In the corner of my eye Where the dust begins to gather It’s too dangerous to cry Sedimentary sentiments will set On the window of my my soul At the heart of the matter In that emotional black hole Memories go to forget In the passage of time Grandfather clock’s stentorian ticking Marks this passing pantomime That has become daily routine And the carpet of my tongue Still salty from all that wounded licking Where the bleeding once began Marks a reflection – now sanguine In the cavern of my chest The heart is huddled by the fireplace Those last glowing embers rest That dying ache of their heat And in the house of me I close the door and find a safe place The only place that I can be Inside the flesh of my retreat And this house has come to the conclusion That this meeting is not in order Sheltering under the delusions That we are bricks and mortally inclined We’re scrutinised And sanitised And criticised And so chastised We barely raise our eyes - at all, What’s object of the exercise If all we come to when we die Is an obituary in fine lines And dust is blown in others eyes - and falls This house rests.

about

The CD album comes in gatefold cardboard sleeve with 8 page lyric sheet.

credits

released April 12, 2017

Featured Musicians:

Roy Weard – vocals, electric guitar, 6 & 12 string acoustic guitars, bass guitar.
Pixie Tonks Dhel – vocals
TyLean – vocals
Saskia Wesnigk-Wood – piano
Cliff Dowding – keyboards, electronics
Andy Power – bass guitar
Gav Cantrell – guitar
Joe Colburn – electric lead guitar
John Dowle – electric guitar
Gregg McKella – clarinet, gliss guitar
Simon Young – drums
Damo Waters – drums
Saskia Wesnigk-Wood – piano
John Trelawney – cornet, flugelhorn, electric violin
Marcus Weeks – trombone
Nick Pynn - acoustic violin, viola, saw, mandocello
Bill Smith & Adam Barrett - The Low E Riders - bass vocals

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Roy Weard Brighton, UK

Roy Weard was the lead vocalist and songwriter for Wooden Lion - a band that played many of the free festivals in the 70s. He went on to write for and front cult bands Dogwatch and Roy Weard and Last Post before getting involved in doing crew / sound / tour managing duties for people like Donovan, Roger Chapman, Manfred Mann, and Steve Harley and Cockney Rebel.
He returned to performing in 2007.
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